Inspirali
Inspirali
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heavenhillgirl:

Caligula (1979)
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dazzledent:

Sex Monthly, February 1927. The 1920s was such a liberating decade; it would be interesting to know how they would have evolved in the 1930s if the bankers hadn’t ruined everything. (Sound familiar?)
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arschklatscher:

Fuck


👌❤️
Album Art
2,851 plays 
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Allison Wade -  Break-up Texts; 2013-2014

Allison Wade -  Break-up Texts; 2013-2014

Allison Wade -  Break-up Texts; 2013-2014
Album Art
137,297 plays Source
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lfratino:

Judith
oil on canvas
louis fratino
2014

PHD thesis… artworks featuring baths…
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"

These girls aren’t wounded so much as post-​wounded, and I see their sisters everywhere. They’re over it. I am not a melodramatic person. God help the woman who is. What I’ll call “post-​wounded” isn’t a shift in deep feeling (we understand these women still hurt) but a shift away from wounded affect: These women are aware that “woundedness” is overdone and overrated. They are wary of melodrama, so they stay numb or clever instead. Post-​wounded women make jokes about being wounded or get impatient with women who hurt too much. The post-​wounded woman conducts herself as if preempting certain accusations: Don’t cry too loud; don’t play victim. Don’t ask for pain meds you don’t need; don’t give those doctors another reason to doubt. Post-​wounded women fuck men who don’t love them and then they feel mildly sad about it, or just blasé about it; they refuse to hurt about it or to admit they hurt about it—​or else they are endlessly self-​aware about it, if they do allow themselves this hurting.

The post-​wounded posture is claustrophobic: jadedness, aching gone implicit, sarcasm quick on the heels of anything that might look like self-​pity. I see it in female writers and their female narrators, troves of stories about vaguely dissatisfied women who no longer fully own their feelings. Pain is everywhere and nowhere. Post-​wounded women know that postures of pain play into limited and outmoded conceptions of womanhood. Their hurt has a new native language spoken in several dialects: sarcastic, jaded, opaque; cool and clever. They guard against those moments when melodrama or self-​pity might split their careful seams of intellect, expose the shame of self-​absorption without self-​awareness.

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Leslie Jamison, “Grand Unified Theory of Female Pain” (via et—cetera)
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Pipilotti Rist - Hiplights Shade
2011

Cardboard box, unique pair of hand-embroidered pants Edition of 100 5.2 × 21 × 21 cm / 2 × 8 1/4 × 8 1/4 in
(Top of my christmas list…. dropping hints)
Pipilotti Rist - Hiplights Shade
2011

Cardboard box, unique pair of hand-embroidered pants Edition of 100 5.2 × 21 × 21 cm / 2 × 8 1/4 × 8 1/4 in
(Top of my christmas list…. dropping hints)
Pipilotti Rist - Hiplights Shade
2011

Cardboard box, unique pair of hand-embroidered pants Edition of 100 5.2 × 21 × 21 cm / 2 × 8 1/4 × 8 1/4 in
(Top of my christmas list…. dropping hints)
Pipilotti Rist - Hiplights Shade
2011

Cardboard box, unique pair of hand-embroidered pants Edition of 100 5.2 × 21 × 21 cm / 2 × 8 1/4 × 8 1/4 in
(Top of my christmas list…. dropping hints)
Pipilotti Rist - Hiplights Shade
2011

Cardboard box, unique pair of hand-embroidered pants Edition of 100 5.2 × 21 × 21 cm / 2 × 8 1/4 × 8 1/4 in
(Top of my christmas list…. dropping hints)
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"The art of being a desirable woman is considered a means of self expression."